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Four Acts and an Encore: Kelela at the Vic
HeardLakeview

Four Acts and an Encore: Kelela at the Vic

Jude · 2026-10-07 · The Vic Theatre

The Vic’s balcony holds heat the way old rooms do, and by the third song the people up there had their jackets over the rail and their forearms on top of them. The floor stayed cooler and stayed stiller, which is its own kind of attention. Kelela played Lakeview on Tuesday October 6th, a month into a North American run that started in Seattle in September.

What she is touring is not a set. It is four acts and an encore, built in that shape and announced in it, and the running order does not bend for anybody’s favourite song. She writes like a producer who can sing, which is a different animal from a singer who produces, and the difference shows up in how the night is assembled rather than in how any one song is delivered.

She put out Cut 4 Me as a mixtape in 2013, took four years over Take Me Apart, another six to reach Raven, and then turned new avatar around inside three. Nobody in that room needed the recap.

The Vic, October 6th

@rydmndchune

Kelela performing on an outdoor stage in daylight, one hand raised toward the microphone

Kelela at Piknik i Parken, Oslo, 2018 — not this showPhoto: Tore Sætre / CC BY-SA 4.0

Act I opened on “Fooley” in the LEECH Ambient Queen remix, which strips the drums out from under a Raven song and makes an entrance out of something that was originally a closer. “idea 1” came third and is the one worth arguing about: she built the lead single on guitar, washed and detuned and much closer to shoegaze than to anything on the three records before it, and live the guitar sits where a bassline would normally carry the weight. It does not sound like a departure so much as a floor being replaced underneath a house.


Kelela Performing at VIC Theater, Oct 6, 2026

The room is the reason the structure works. The Vic holds about 1,400 standing, which is small enough that the quiet stretches in Act II read as quiet rather than as dead air, and it has a balcony deep enough that the people in it are listening down at the stage instead of across at it. Jam Productions has promoted shows in the building since 1987 and bought it outright in 2000. Before any of that it opened as the Victoria on September 29th, 1912, spent decades after vaudeville collapsed showing Spanish-language films as the Roberto Clemente Theater and Indian films as the Bharat Cinema, and was bought in 1983 by Walter Klein, who put a year of repairs into it and reopened it in October 1984. A room that has been four different things is unbothered by an album in four parts.

Kelela Performing at VIC Theater, Oct 6, 2026

By Act III the set had stopped distinguishing between catalogues. “A Message” and “Send Me Out” came out of Take Me Apart and sat directly after “crystalize”, which is a new avatar track that segues in from the song before it and does not want a gap on either side. It did not get one.

The acts past that one are harder to pin down, because the running order the night was logged under stops at twelve. “outta time” is in there somewhere later, which I know because somebody filmed it and called it their favourite, and on the floor it was the point where the guitars stopped being a texture and started being the band.

“outta time”, late in the set

@kienclips

“Bank Head” is thirteen years old and it came eleventh, inside Act III, with no introduction and no pause in front of it. The old songs are components now.

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Four Acts and an Encore: Kelela at the Vic | Color&Noise